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Geoffrey is the taller man of the two, but Paul the more lithe and sinewy. For a moment they sway to and fro; then Geoffrey, getting his fingers upon his cousin's throat, forces him backward. "You will be near too, Geoffrey?" murmurs Mona, falteringly. "Well so you can," returns she, kindly. "Any night when there is a good moon come to me and I will go with you to Carrickdhuve—that is the name of the hill—and show you the bay.".
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"No; very near you,—nearer than you think," says Mona, quick to notice any variation in his tone, awaking from her reverie with a start, and laying one of her hands over his. "Geoffrey," earnestly, "what is the exact meaning of the word 'scheme'? Would an honest man (surely he would not) talk of scheming?" Which absurd question only shows how unlearned she yet is in the great lessons of life. A choking sensation, rising from her heart, almost stops Mona's breath; her mouth feels parched and dry; her eyes widen. A sudden fear oppresses her. How is it going to be in all the future? Is Geoffrey's—her own husband's—mother to be her enemy? The other smiles faintly. He is evidently glad because of Geoffrey's words, but speech is now very nearly impossible to him. His attempt to rise, to point out the imaginary moonlight to Mona, has greatly wasted his small remaining stock of life, and now but a thin partition, frail and broken, lies between him and that inexorable Rubicon we all must one day pass. Mona, not attempting to reason with her again, shakes her head despondingly, and leaves the cabin with Geoffrey at her side..
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